The Harvard Innovation Lab (now Labs) and the "Hi" icon have become University-wide beacons for innovation at Harvard and the surrounding community.

The Harvard Innovation Lab (now Labs) and the "Hi" icon have become University-wide beacons for innovation at Harvard and the surrounding community.
For over five years I served as an Art Director and Designer for Volkswagen of America on the "Drivers Wanted" integrated branding team. More
This abstract series of digital drawings explored the hidden structure and geometry in art, architecture and design. More
The Sun and Moon Minimalist Clock was a simple, limited edition yellow clock treated with photoluminescence—allowing it to shift color and glow softly as a room becomes dark at night. More
As a Boston-native, Boston-based designer and former Boston Marathon participant I contributed this commemorative icon for use on buttons and other materials in support of Boston Strong. More
The Eye Heart MassArt promotional branding campaign was used to promote MassArt's 2008 Alumni Weekend and for subsequent events and initiatives. More
The Education of a Communication Designer was my master's thesis book submitted to The Dynamic Media Institute at Massachusetts College of Art and Design (MassArt) in 2017. More
The Shepley Bulfinch "Agents of Change" badge graphic was developed to communicate the idea that architecture is not just about building or buildings, but moreover serves as a strategic mechanism for personal, organizational and institutional change. More
Using monoprinting techniques and then over time painting with brayers and palette knives this long standing series of paintings were inspired by jazz music and nature.
In 2013 I began working with Steve Giles, a Berklee College of Music trained composer who along with my former design student Ben Hawkins to develop this full score for brass quintet. More
As the Fenway Alliance sought to develop a regional strategic plan "identity" was unearthed as one of the key strategic themes—which was when I was tapped to develop a visual identity and branded materials to support this effort. More
To develop interest for the first ever Mission Hill Neighborhood Celebration in Boston I was invited to design promotional materials. More
A limited edition, locally-made and sustainably produced blue journal for Shepley Bulfinch. More
As part of a longer term strategic rebranding the redesigned website for Shepley Bulfinch helped change the value proposition of the firm.
During the nearly ten years I worked on the MassArt Auction this annual event grew into a nationally recognized venue for contemporary artworks—showcasing the work of leading artists, faculty and alumni of the college—thus helping to "bolster" the broader MassArt "brand." More
This series of limited edition series of monographs and books on the projects and process of Shepley Bulfinch reflected on the contributions of the firms' Principal architects, expertise and milestone projects. More
To promote and celebrate the Shepley Bulfinch Summer Design Fellowship— this limited edition poster was sent to nearly every architecture school in North America. More
Knoller (formally Nollr) is a customizable and responsively-designed web-layout system for sortable and filterable portfolios and start pages. More
In 2003—for my personal holiday greeting I appropriated the Form 2040 making it into a holiday themed, adult "activity book." More
This ad for Volkswagen was designed for the 2005 North American International Auto Show—it was placed on the reverse side of the exhibition center map provided to the autoshow attendees. More
The Color Piano Project was an experimental system of audiovisualizations developed as part of my senior degree project in Graphic Design at MassArt. The project culminated in a series of animated prototypes demonstrating the dynamic mapping of the color spectrum to musical octaves and individual notes. More
Lecturemate was a speculative dynamic media software system designed to increase the comprehension and accessibility of lectures—especially for creative learners. More
Critiquemate is a speculative software platform built for design educators and design students. In educator mode Critiquemate helps educators find and share various critique methods and approaches. More
Isabella was a site specific, speculative multimedia installation for the Boston’s Isabella Stewart Gardner Museum. Isabella is comprised of a series of framed video screens that present a motion-and sound-activated likeness of Isabella Stewart Gardner (1840–1924)—the founder of the museum. More
This project envisions a scenario where users could design a typographic “character” using a series of slider controls—and then watch their creation "take life" within a dynamically generated animated film. More
MetaPieces was an interactive prototype touch-screen table that engaged participants in the deconstruction and abstract reconstruction of well-known paintings. More
A comprehensive presentation/paper from the 2019 MODE Summit in which the authors describe the pedagogical development and provide examples of a communication design project implemented across two institutions—examining the use of vox pop video as an ethnographic research tool. More
This paper documents and analyzes Youth Design, an innovative Boston-based non-profit summer and after-school program that provided year-round design-focused learning, career and cultural opportunities to urban high school students for nearly fifteen years. More
Located in Perkins Library—Link is an expansive and flexible campus space designed to foster innovative approaches to teaching and learning. More
Studiomate is a peer-to-peer "help" system for studio [creative] communities. As a speculative system—Studiomate posits to foster learning connections. More
A short paper examining the use of vox pop video as an ethnographic research tool for graphic and communication designers. More
Fingering Randomizer for Bb Trumpet is a dynamic software interface for trumpetists. The software—which is based on chance was developed in Processing. More