Towards a Dynamic Discipline of Design, Motion Graphics Film, 2025.

Towards a Dynamic Discipline of Design is an educational, exploratory, and diagrammatic journey into design’s epistemological, ontological, and cultural positions and potentials. The film premiered at the 2025 MODE Summit in Prague. This film asserts that “static” notions of design—and thus static representations of design should be reassessed. In support of this view, viewers traverse through “diagrammatic discourses” of design over the past century—which eventually lead to a set of kinetic representations that attempt to more accurately and engagingly visualize design practice and design culture. Building upon the work of figures such as Bruce Archer, the film secondarily advocates for design as a third epistemological culture. As an information-based design film, Towards a Dynamic Discipline of Design could be seen in the lineage of films[1] such as Powers of 10 (1977), written and directed by Charles and Ray Eames.

Media

Credits

  • Written, Narrated, and Directed by Dan Vlahos
  • Motion Graphics Led by Steven Cotroneo

Featuring Diagrams By

  • Al Gowan
  • Bruce Archer
  • Terry Irwin
  • Julio Mario Ottino + Bruce Mau

Additional Notes, Credits + Resources

Soundtrack + Audio

Further (Suggested) Reading

Ebenreuter, Natalie. “The dynamics of design.” Kybernetes, vol. 36, no. 9/10, 2007, pp. 1318-1328. https://doi.org/10.1108/03684920710827328.

Fried, Geoffry. “Chasing Infinity: Defining the Purpose of Design.” Proceedings of the International Association of Societies of Design Research (IASDR) 2009, Seoul, Korea, October 18-22, 2009, pp. 3645-3654. 

Lee, Sheng-Hung. “From computation to curation: Expanding the boundaries of design practice.” Design Studies, vol. 101 (2025), https://doi.org/10.1016/j.destud.2025.101357.

Sceenings, Workshops + Talks

  • International Premiere, 2025 MODE Summit, Hosted by the Anglo American University, 19-21 June 2025.
  • Lesley University, Design Thinking & Research with Professor Kristina Lamour Sansone, Panel Discussion with Professor Emeritus Geoffry Fried, 11 September 2025.

Media Coverage + Press


Footnotes

  1. The format explored here, which includes video, motion graphics, artifacts, and voiceover narration, builds upon what Jarrett Fuller described as a “video essay” in his 2016 film A Rough Sketch for a Video Essay as Design Criticism. Fuller cites Orson Welles, along with Charles and Ray Eames, as precedents and notes that, “The video, or film, essay gained popularity in the 1950s and 60s that trades typical narrative plots for themes and investigations.” More at: Fuller, Jarrett. “A Rough Sketch for a Video Essay as Design Criticism.” 2016, https://jarrettfuller.com/projects/roughsketch.

FILED IN: Design Research


IMAGES